Before Mountains Were Blue

 When mountains are painted, there's typically a blue hue, but this was not always the case. Before Rennaissance artists observed the blueness of mountains in the distance, this was not a standard tool. That perception was always available but went unnoticed because our eyes are unreliable. Our eyes make things up. Another example is the corner of a room, where two walls painted with the same paint look like different shades. Or here's a crazy one. If you look at four or five strips of paper ranging from black to white, and they are separated some, you'll see exactly that, but if you butt them up against each other in order from dark to white, your eyes will tell you that you are looking at a gradient. 

 I think I've always known this about my eyes, and not without some resentment. People looking at a painting will see different things if they are asked varying questions about the artwork. Why can't I just see everything? Something I don't like about myself is that I am often not very observant. 


 The author claimed that if your left eye is shown an elephant, and your right eye is shown an airplane, you will only be able to see one of them at a time. I have not been able to duplicate this. I tried with various objects separated by a notebook, but every time, I saw both items. I'm only 1/3 through Chapter 2, so maybe there will be more clarity soon, but so far I only have more questions.



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